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Two Suitcases, One Casino Owner, and a Million-Dollar Bet on the Cincinnati Bengals

8 min read Sources ↓

So picture this: mid-morning, January 22, 1989, Super Bowl Sunday, and a man walks into the Little Caesars sportsbook on the Las Vegas Strip carrying two suitcases. Not a briefcase. Two suitcases, both packed with cash, hauled in by a Las Vegas casino owner who’s about to make what United Press International would later call possibly the largest single legitimate sports wager ever booked in the history of legal Nevada bookmaking. His name is Bob Stupak, he owns Vegas World a few blocks up the street, and he’s several hours away from kickoff when he sets the suitcases down and asks Little Caesars’ owner, Gene Maday, to book him on the Cincinnati Bengals.

The number: $1,050,000, to win $1,000,000. Little Caesars had the Bengals as seven-point underdogs against Joe Montana’s San Francisco 49ers, and Stupak wanted the points — his money said Cincinnati would either win outright or lose by six or fewer. Lose by seven or more, and the suitcases go home with Maday instead.

Why Maday Took the Bet

Here’s the part that makes this a story about two gamblers instead of just one: Maday didn’t take Stupak’s action because he loved the odds. He took it because he needed it. Little Caesars’ Super Bowl book was lopsided going into kickoff — too much money already sitting on the 49ers side — and Stupak’s million-dollar bet on the Bengals was exactly the kind of balancing weight a bookmaker wants when his own book is exposed. Maday even cut Stupak a break on the vig, the bookmaker’s built-in commission: instead of charging the standard 11-to-10 (bet $1,100 to win $1,000), he gave Stupak half off, which is the whole reason the number came out to $1,050,000 instead of $1,100,000. It wasn’t generosity so much as arithmetic — a friendly discount from one gambler to another, offered because the size of the bet itself was doing Maday a favor.

Two old friends, in other words, quietly using each other to manage risk, with two suitcases of cash sitting on the counter as the collateral.

The Game

Super Bowl XXIII turned into one of the best football games ever played, which nobody watching purely for the football will ever forget and which very nearly cost Stupak his million dollars in the game’s final ninety seconds. Cincinnati led for most of the second half — a Jim Breech field goal put the Bengals up 13-6 late, and depending on which side of the two-suitcase bet you were sitting on, that was either a beautiful sight or a slow-building nightmare. San Francisco answered, the game tightened, and then, with just over three minutes left and his team trailing, Joe Montana famously turned to his teammates in the huddle, spotted comedian John Candy sitting in the stands, and pointed him out — a moment of ice-cold calm that’s become as much a part of Super Bowl lore as anything that happened on the field. Montana then drove the 49ers 92 yards in eleven plays, capping it with a touchdown pass to John Taylor with 34 seconds left. Final score: 49ers 20, Bengals 16.

San Francisco won the game outright. But they won it by four points — inside the seven-point spread Stupak had bought that morning. The Bengals had covered. Stupak’s suitcases came back heavier than they left.

The Payout, the Same Day

Maday paid Stupak the full $2,050,000 — his original $1,050,000 stake plus the $1 million win — that same Sunday, in cash, according to contemporary UPI reporting. Asked how he felt about handing over one of the largest single payouts in Nevada sportsbook history, Maday didn’t pretend to enjoy it: “I don’t feel too good about it, but that’s my business.” It’s a perfect line, delivered by a man who understood exactly what he’d signed up for the moment he decided to balance his book with Bob Stupak’s money.

Stupak, characteristically, didn’t just take the cash and walk. He handed Maday a gift on his way out: an experimental sports car, which reportedly sat parked in front of Little Caesars for a while afterward, taking up a parking space at the sportsbook that had just paid him seven figures. It’s a small, strange, perfectly Stupak-shaped detail — the kind of flourish that turned a straightforward bookmaking transaction into a story people would still be telling thirty-five years later.

(For what it’s worth, Little Caesars would go on to book an even bigger single payout a couple of years afterward — $2.4 million to a pair of Texas bettors on a four-team parlay, though Maday reportedly won much of that back from the same bettors on their subsequent losing action. Stupak’s million was historic, but it wasn’t the ceiling.)

Who Bob Stupak Actually Was

The suitcases make for a great single scene, but they only really land if you understand who was carrying them. Bob Stupak — the self-styled “Polish Maverick,” later eulogized as Southern Nevada’s “greatest hustler,” and by some accounts its closest thing to a homegrown P.T. Barnum — was the son of an illegal dice-joint operator in Pittsburgh. He moved to Las Vegas in 1971, bought a scrap of land on Las Vegas Boulevard that had been a used car lot, and in 1974 opened something he called Bob Stupak’s World Famous Million-Dollar Historic Gambling Museum and Casino — a name, Stupak liked to joke, that ran longer than the building itself. Two months after it opened, an air conditioner caught fire and burned the place to the ground; insurers later alleged in a federal lawsuit that Stupak had set the fire himself for the payout and grossly inflated his claimed losses, an allegation that never derailed him and that he outlived by decades.

He rebuilt. In 1979 — on a Friday the 13th, because of course it was — he opened Bob Stupak’s Vegas World, an outer-space-themed casino complete with a replica Apollo capsule, a suspended dummy astronaut, and purported moon rocks on display. Vegas World became famous for offering bets no other casino in town would touch, including “double exposure 21,” a version of blackjack where both of the dealer’s cards were shown face-up, and for a direct-mail “Vegas Vacation Club” promotion so aggressive it eventually drew a $125,000 fine from Nevada gaming regulators for misleading advertising. It also worked spectacularly well: at its peak, Vegas World was generating more than $100 million a year, making it the largest individually owned casino in the world at the time.

Stupak treated publicity as a competitive sport in its own right. He once offered a stuntman $1 million to jump a motorcycle off his hotel tower — then charged the stuntman a $990,000 “landing fee.” He pledged $100 million to the United Negro College Fund in exchange for the chance to play a game with the Harlem Globetrotters. When Donald Trump’s self-promotion started drawing national headlines, Stupak invented a board game called “Stupak” and publicly challenged Trump to a $1 million charity match playing “Trump: The Game” — Trump declined. He ran for mayor of Las Vegas twice, unsuccessfully, and for lieutenant governor. The million-dollar Bengals bet fits into all of this perfectly: it wasn’t just a wager, it was Stupak understanding, correctly, that a casino owner walking into a rival sportsbook with two suitcases of cash was a story the wire services would run coast to coast, for free, the day after the biggest television event of the American year.

From Vegas World to the Stratosphere

The bet also lands at a specific, telling moment in Stupak’s career. By January 1989, the Mirage — Steve Wynn’s glittering, volcano-fronted mega-resort — had just opened down the Strip and was rewriting what Las Vegas was supposed to look like. Stupak’s own tacky, space-themed, coupon-marketed casino suddenly looked like a relic of an older, mobbed-up Vegas the industry was trying to leave behind. A trip to visit his daughter in Australia not long after gave him a new idea: he’d seen the Sydney Tower, and he came home wanting to build something similar — a tower tall enough to redirect the world’s attention back toward his corner of the Strip. What started as a replacement sign after a windstorm destroyed his old one eventually became a full-blown observation tower proposal: 1,400 feet, later trimmed to just over 1,100 by FAA restrictions, with a roller coaster and a King Kong ride planned for the top.

Construction on the Stratosphere Tower began in 1992, and it very nearly ended in disaster before it opened — a three-alarm fire tore through the half-finished tower in August 1993, visible for miles, generating exactly the kind of “towering inferno” headlines Stupak didn’t want. Three years after that, in March 1995, Stupak nearly died in a motorcycle crash, breaking every bone in his face and landing in a coma doctors didn’t expect him to survive. He did survive, and he lived to see the Stratosphere finally open on April 30, 1996 — though by then he held only a 17 percent stake in the company, with poker friend and financier Lyle Berman controlling a third of it, brought in to rescue the project when construction costs and loan deadlines threatened to bury it. The Stratosphere filed for Chapter 11 bankruptcy less than a year after opening. Stupak blamed poor management; corporate raider Carl Icahn bought control not long after, and Stupak’s Las Vegas casino career was effectively over. The tower he built still stands today — 1,149 feet tall, the tallest observation tower in the United States, currently operating as The Strat.

Bob Stupak died of leukemia on September 25, 2009, at age 67. He has a park and a community center near the tower named for him — a fitting enough memorial for a man whose entire career ran on turning attention into money, one outrageous stunt at a time. The two suitcases at Little Caesars in January 1989 were, in the end, just one more version of the same trick: show up with something visual enough that the story tells itself, let the wire services do the rest, and let the whole town keep talking about Bob Stupak whether he won or lost.

Sources

Republished from Lost Stories of Las Vegas: Stories the Strip Left Behind (Kindle edition, 2026).

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About the author

James Hogg

James Hogg

James is editor-in-chief of Vegas Retold, responsible for editorial selection, interpretation, and final manuscripts.

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